{"title":"Dawoud Bey: Street Portraits","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. This change not only altered the aesthetic of his work but also deepened his engagement with his subjects. Using Type 55 Polaroid film, Bey created a collaborative and reciprocal process: after sitting for a portrait, each subject received an instant 4×5 inch print, while Bey kept the large-format negative for making enlarged prints in the darkroom. These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003cem\u003eStreet Portraits\u003c\/em\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/p\u003e","products":[{"product_id":"bey-a-girl-with-school-medals","title":"Bey, A Girl with School Medals, Brooklyn, NY, 1988","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. This change not only altered the aesthetic of his work but also deepened his engagement with his subjects. Using Type 55 Polaroid film, Bey created a collaborative and reciprocal process: after sitting for a portrait, each subject received an instant 4×5 inch print, while Bey kept the large-format negative for making enlarged prints in the darkroom. These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 3","offer_id":48031666241766,"sku":null,"price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.A1151.3.26.jpg?v=1784734101"},{"product_id":"bey-a-young-girl-striking-a-pose","title":"Bey, A Young Girl Striking a Pose, Brooklyn, NY, 1988","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. This change not only altered the aesthetic of his work but also deepened his engagement with his subjects. Using Type 55 Polaroid film, Bey created a collaborative and reciprocal process: after sitting for a portrait, each subject received an instant 4×5 inch print, while Bey kept the large-format negative for making enlarged prints in the darkroom. These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 4","offer_id":48085123301606,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.965.3.21.jpg?v=1785345102"},{"product_id":"bey-a-young-man-at-a-tent-revival-meeting","title":"Bey, A Young Man at a Tent Revival Meeting, Brooklyn, NY, 1989","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. This change not only altered the aesthetic of his work but also deepened his engagement with his subjects. Using Type 55 Polaroid film, Bey created a collaborative and reciprocal process: after sitting for a portrait, each subject received an instant 4×5 inch print, while Bey kept the large-format negative for making enlarged prints in the darkroom. These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 5","offer_id":48085137817830,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.A1021.3.22.jpg?v=1785345491"},{"product_id":"bey-a-young-woman-and-a-girl-amityville","title":"Bey, A Young Woman and a Girl, Amityville, NY, 1988","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. 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These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 2","offer_id":48085206106342,"sku":null,"price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.957.3.21.jpg?v=1785350110"},{"product_id":"bey-girl-and-boy-sitting-on-the-stoop","title":"Bey, Girl and Boy Sitting on the Stoop, Washington, DC, 1989","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. This change not only altered the aesthetic of his work but also deepened his engagement with his subjects. Using Type 55 Polaroid film, Bey created a collaborative and reciprocal process: after sitting for a portrait, each subject received an instant 4×5 inch print, while Bey kept the large-format negative for making enlarged prints in the darkroom. These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 1","offer_id":48085246443750,"sku":null,"price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.955.3.21.jpg?v=1785349985"},{"product_id":"bey-pegs-grandson","title":"Bey, Peg's Grandson, Brooklyn, NY, 1988","description":"\u003cp\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e marked a significant shift in Dawoud Bey's photographic practice, as he moved from using a 35mm small-format camera to the more conspicuous 4×5 inch view camera. 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These enlargements captured the fine details of his sitters, their expressions, style, and presence, offering a vivid and dignified portrayal that serves as a cultural and historical record. \u003c\/span\u003e\u003cem\u003eStreet Portraits\u003c\/em\u003e\u003cspan\u003e thus captures genuine, intimate moments between photographer and subject, grounded in the specific time, place, and social atmosphere in which they were made.\u003c\/span\u003e\u003c\/p\u003e","brand":"Stephen Daiter Gallery","offers":[{"title":"20 x 24 inches | Edition of 10 \/ 1","offer_id":48085307556070,"sku":null,"price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/7647\/2806\/files\/663.964.3.21.jpg?v=1785349956"}],"url":"https:\/\/stephendaiter.com\/collections\/bey-street-portraits.oembed","provider":"Stephen Daiter Gallery","version":"1.0","type":"link"}